Original textural design is created primarily with hand-dyed fabric, cheesecloth, and sari silk ribbon. The piece is made with a variation of the confetti technique and is stitched with cotton and metallic threads. It is mounted on a hand-painted 1 1/4” thick, 24 X 30” gallery-wrapped canvas.
This amazing, glittering piece was made by fabric artists Teresa Schlabach and Michael Rowland.
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I prefer to frame them without glass, but if you use glass, just make sure it is not UV resistant.
Sunshine will definitely charge the paint and allow it to glow all night. However, the black light brings out the colors better and brighter. I would keep the black light nearby to use for an extra dose of energy for the artwork.
Search for 'UV black light' on Amazon.com. And remember, not all black lights are UV lights. Make sure to choose a UV black light.
When a black light is used on it for a bit, the painting will glow bright for maybe 20 mintues and then fade, but it won't stop shining. It will continue to glow softly all night in shades of blue and green.
This can happen when it gets humid and the painting is left unframed. When you frame the painting, this will flatten it and keep it in place. However, you can also lightly mist the back of the painting and place a book on top of it. Give it a couple of hours to dry and lift the book. All flat again!